The new E-PL2 joins the growing family of other Micro Four Thirds models from Olympus. It has a svelte metal-composite body, gorgeous high-resolution 3-inch LCD viewfinder and enhanced low-light performance. It’s a welcome upgrade to the E-PL1 and viable alternative the more expensive E-P2.

This fourth-generation Olympus Pen sports a 12.1-megapixel Live MOS sensor, which is roughly eight times larger than the sensor in your average point-and-shoot camera. The larger sensor provides better image quality and low-light performance, similar to that of a digital SLR.

The E-PL2 also pumps up the ISO to 6400, and is capable of shutter speeds of up to 1/4000th of a second, making it great for night photography.

Other internal updates include eye-detection for more accurate focusing of portrait shots, a live-guide feature for viewing effects in real time, and an updated suite of artistic filters — in-camera effects that give your pictures that Lomo warmth, or an old-timey, grainy black-and-white vibe.

The live guide is intended to show you how altering the camera’s settings can change the picture, and it’s meant for those first learning photography. Unfortunately, it hides what is actually being changed. For example, it shows a slider to “change background focus” instead of explaining how f-stops work. The artistic filters are fun, but the plethora of desktop and online applications available to spruce up your images make them somewhat redundant.

The E-PL2 ships with a new M. Zuiko 14-42mm f3.5/5.6 zoom lens (28-84mm equivalent) that works during movie or still shooting and has a very snappy response time. The lens collapses for storage but must be extended to roughly double its stored size when in use.

The results from the supplied lens were better than expected for a kit lens. The beauty of the Micro Four Thirds standard is the wide variety of adapters, which allow other manufacturers’ lenses to be used. The Pen’s body is just screaming to be mated with a classic manual-focus Leica or Voitlanger lens. Old manual lenses still benefit from E-PL2’s image stabilization, which is internal and sensor-based.

One very welcome new feature is the redesigned case. The grip is more comfortable, and the E-PL2 feels solid in hand. Holding it evokes a feeling of nostalgia for a classic rangefinder film camera with its pleasant heft and balance. The front half of the camera and the lens mount are both constructed of metal, the body is cast and the mount is machined. The rear case material is a hard plastic, but it’s nearly indistinguishable from the metal of the front. It feels like a high-quality, professional camera.

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Authors: Dave Bullock

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